Tom Cole

Updated at 2:50 p.m. ET Friday

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(SOUNDBITE OF JOHN ABERCROMBIE'S "BACKWARD GLANCE")

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After four chords, the notes start to fly — Danilo Brito and his four collaborators, three Brazilians and one American, are off like jackrabbits in front of a hound, having hustled their instruments to the Tiny Desk at the end of a North American tour.

Brito a 32-year-old mandolin player, made his first record when he was a teenager, plays a type of music called choro (pronounced "shore-oo").

Ralph Towner first came to the attention of a wide audience nearly 50 years ago as a member of the Paul Winter Consort, for whom he composed the group's most famous tune, "Icarus." The piece was so beloved, the Apollo 15 astronauts took the record to the moon — and named a crater after it.

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You probably shouldn't be reading this — just listen to Derek Gripper play and watch his fingers work. You can see and hear his classical training from his first notes behind the Tiny Desk.

Thirty years ago this week, an unknown filmmaker walked into a club in Washington, D.C., with a videotape in his hand. It was one of those nights when anyone could screen their work ... but this was the first public screening of a short documentary that's gone on to become the very definition of a cult classic.

Jean-Baptiste "Toots" Thielemans, the Belgian-American musician who cut a singular path as a jazz harmonica player, died in his sleep Monday in his hometown of Brussels. He was 94.

Musician and composer Frank Zappa was a lot of things: biting satirist, ferocious critic of societal norms, outspoken defender of free speech. He saw himself as not only an entertainer, but also a serious composer. And he saw no contradiction in being all of these things at once, to the consternation and confusion of the many journalists who interviewed him.

Watching a Terence Davies film is like watching paintings come to life. On the other hand, the filmmaker jokes, "The people who don't like my films say it's about as interesting as paint drying."

Still, Davies (pronounced "Davis") has plenty of defenders. More than one critic has called him Britain's greatest living film director, and French filmmaker Jean-Luc Godard — who was famously not a fan of British moviemakers — called Davies' 1988 full-length feature breakout, Distant Voices, Still Lives, "magnificent".

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