Felix Contreras

Felix Contreras is host of Alt.Latino, NPR's program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award-winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

Those of us "of a certain age" have always been told to be true to ourselves, with the understanding that maturity will show us a better sense of our true selves. The hope is that we can move forward and look backward with both confidence and (hopefully) not a lot of regret.

But musicians of a certain age are often better off if they resist the tried-and-true and look for something new to stretch their sense of self. They rely on a body of work to inspire yet more growth; that way, their sound changes while still feeling familiar.

When singer-guitarist Susan Tedeschi sings and plays, you can hear the sound move from the Mississippi Delta up to Chicago. As this video shows, she can dispense uptempo dance grooves and coax her voice around the anguished lyric of the blues.

Sometimes if feels as if the crowds at Stubb's BBQ during SXSW are just too cool to dance. But not tonight. Southern California's Chicano Batman sent waves of velvet-sounding Chicano soul out over the audience at Stubb's — think 1970s-era guitar and organ funk played by a band outfitted in quinceañera tuxedos. When the band shifted into a high energy cumbia I saw spontaneous dancing breaking out on the dirt floor of the outdoor venue.

Monsieur Periné hails from Colombia, a country known for its Afro-Colombian cumbia, as well as New York-style salsa. Instead, however, the band has embraced 1920s-era, guitar-driven jazz from the U.S. The unlikely inspiration has resulted in a large and international following, as well as a Latin Grammy not too long ago: Monsieur Periné was named 2015's Best New Artist.

Words don't do this band justice. Play the video and discover Monsieur Periné's magic for yourself.

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