In the future, once analog filmmaking is finally dead and buried, will we look back on the rise of Snapchat and Instagram as a pivotal moment in visual storytelling? The rapid-fire, three-second video onslaughts of life you get when you tap through a friend's "story" have pioneered a new kind of visual language, one that strips away storytelling conventions like setup and narration, leaving behind only the purest sensory glaze on the larger framework of a music festival or a protest march.
You know a movie is lousy when its most ardent partisans — which in the case of Shane Black's new definite-article-attaching Predator sequel-not-reboot The Predator, are me, myself, and this guy right here with the thumbs — are reduced to tepid, mildly defensive endorsements like "It's one helluva good time at the movies!"
As she moves through middle age, there's a whiff of acid in every Emma Thompson performance that adds a lively bump to the actress's Stateside image as an eternally flowering English Rose. The bracing asperity that juiced Thompson's self-directed turn as a warty governess in Nanny McPhee, as a bigoted headmistress in An Education, as the neurotic Mary Poppins author P. L. Travers in Saving Mr.
Saturday Night Live head writers and Weekend Update hosts Colin Jost and Michael Che have different attitudes toward co-hosting the Emmy awards Monday night.
Jost admits to being nervous about hosting — especially when he thinks about the show ahead of time: "I'm thinking about it in advance. That's more nerve racking than when you're actually out on stage."
Last month Mary Halsey of Rhode Island posted a Facebook video of herself doing a karaoke version of Missy Elliott's "Work It." It quickly went viral, accumulating millions of views and drawing attention from Elliott herself who praised the performance on Twitter and called Halsey her "funky white sister."
Alejandro Escovedo has carved out a very special place for himself in the music world. He established unimpeachable punk cred when his 1970's punk band The Nuns opened for the Sex Pistols at its infamous last stand at San Francisco's Winterland Ballroom.
The romance novel industry is worth over a billion dollars.
Surprised? You really shouldn’t be.
In 2015, 75 million Americans said they had read a romance novel in the past year. The books fly off the shelves, and readers are constantly asking writers for more stories, even as many authors turn out novels at a rate of two per year.
The industry centers around women — in readership and in authorship — and stigma and shaming of romance fans persists.
Back in the '70s, when Sean Penn was a teenager and his dad, director Leo Penn, was working in television, Leo got Sean small roles in a few shows, including a pair of episodes of Little House on the Prairie. But since becoming a movie star, Penn hasn't starred in a TV project — until now, when he headlines a new, eight-hour drama series called The First, launching Friday on Hulu.
"Who are you and why are you calling me?" According to Dawn Landes, that's what Country Music Hall of Famer Fred Foster said when she rang him up out of the blue and asked Foster to produce her new album. Foster founded Monument Records, he signed Dolly Parton and he produced most of Roy Orbison's hits in the 1960s. These days, he's in his late eighties and mostly retired.
Do prehistoric fossils belong only in a museum or educational center that communicates science to the public? Is it ever right for commercial fossil hunters to sell dinosaur skulls to movie stars for display in their living rooms?
Sponsored by the Americana Music Association, the 19th annual Americana Music Festival & Conference features a broad range of music showcases from diverse musicians in alt-country, roots-rock, bluegrass, R&B, blues and folk as well as dozens of day time industry panels.
Metric's Emily Haines rarely sticks with one sound for long, whether she's wallowing in the radiant miserablism of her solo records or revving up effervescent synth-pop floor-fillers on her band's 2015 album Pagans in Vegas. On the new Art of Doubt, Metric takes another welcome hard turn — this time back into spiky, guitar-driven rock and roll.
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